JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. Never on jasper vases. According to Reilly all black basalt made from was either unmarked, or had this mark; however this is by no means certain; see the following paragraph. Wedgwood : Before ; most likely This mark belongs to the usefulwares factory before Ornamental wares with this mark are always after The comma, or moustache mark, looks like two dashes arranged like a moustache, or single open and close quotes - see below for examples.

This appears to be a potter's mark, and belongs to the period ; perhaps a little later. It can also appear on later pieces, but other indications will help to place these pieces in the correct period. The first was inand is very rarely found. The second period was from about until the mid 's. It wasn't always added, so its absence is not significant. A number of references talk about marks being impressed a letter at a time, and assign early dates on this basis; however marks often look like this because the clay has moved in firing and this is very difficult to determine.

I am also aware of at least one example on which the mark was made up a letter at a time, but which certainly dates from aroundso it is dangerous to assign too much meaning to this. Likewise the "curved" mark, often seen where it doesn't exist because of movement of the clay during firing.

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When items were made that were not destined for export, they were sometimes omitted, and other indications will confirm the later date. These often have a catalogue number beginning BB, and usually have Bert Bentley's mark: a zero on a slope or on its side.

Other small items are sometimes missing these dating indications, such as the Ernest Light basalt animals. Size codes are found on some items, particularly tea wares, from about to These are always divisible by 6, and represent the number of items that went into the kiln on one tray.

Wedgwood ware

A size in inches, which would be diameter, height or length of the item, sometimes appears on jasper and basalt items from around Eighteenth century cameos and intaglios sometimes have a number impressed on the back that refers to the catalogue, and can be matched with the catalogues reprinted in the references. This could be a number, such as 27; or a full catalogue reference, such as C. Shape numbers are often found inscribed on jasper vases up until around ; they are also sometimes found impressed from about Various single letters, numbers and symbols are often found on pieces and indicated the potter or decorator, so his pieces could be counted and he could be paid for them.

These are not date marks and, with a few notable exceptions, have no meaning to us now. A three letter date code is sometimes found and starts in but is rarely found on jasper or basalt items; it absence is not indicative of any date. When present, the last letter indicates the year as in the following table. Fromthe first letter was replaced by a 3 or 4, making it possible to identify the different cycles. The earlier cycles can sometimes be distinguished by the use of the word England, but sometimes other indications are required to determine the date.

These are always three letters in a line e. ABC for View previous campaigns.

when was wedgwood venetia made

Home :: China and Dinnerware. We have over 60, pieces of antique china and dinnerware including plates, bowls, cups and so much more! Napkin Rings. Silversnow Antiques and More. Vintage Peach Plate. Vintage Blueird Dinner Plate. Noritake Belfort Dishes. Apple Pie Plate.

Casserole Dish. Allie's Vintage Alley. Royal Crown Derby China Creamer. The Good Ole' Days. The Pottery Peddler. Vintage Rosenthal Small Floral Vase. Rose Pattern China Dessert Bowl. Rose Pattern China Soup Bowl. Rose Pattern China Salad Plate.

Rose Pattern China Dinner Plate. Vintage Moriage Dragonware Plate. Vintage Brown Transferware Plate. Vintage 3 Small Bluebirds Plate. Vintage Luster Double Vase Holder. California Cleminsons 2 Distlefink Dinner Plates. Four Hand Painted Squirrel Mugs. Geometric Design Muffineer Set.

Lefton Rose Cup And Saucer. Vintage 3 Large Bluebirds Plate. Royal Bayreuth Lobster Dish. Eagle Ridge Collectibles. Vintage Lusterware 3 Dimensional Cockatoo Vase. Vintage Violet Hand Painted Plate. Hutschenreuther, Selb Bavaria Wildflower Dishes. Vintage English Silver Small Bowl. Vintage Bluebird Platter. Vintage Bluebird Bowl. Vintage Seagull Relish Dish.Workers due to be celebrating the th anniversary of the "Father of English Potters" were instead mourning his legacy's demise today.

Wedgwood - best known for its bone china made popular by royalty - last week embarked on two and a half centuries of setting world standards for tableware design and manufacturing. Much has changed for Wedgwood since its founder - Josiah Wedgwood - toured his Stoke-on-Trent workshop in the late s, often smashing vessels which failed to meet his high standards. Since the company was purchased by Waterford Glass Group inthe china firm endured tough times as formal dining trends gave way to more relaxed habits and cheaper competitors.

Six years of losses drove Wedgwood to move all major ceramics production from Barlaston to the industrial outskirts of Jakarta, Indonesia. Only a small number of high-end products - hand-painted figurines and the iconic blue and white china - would continue to be made in England, it was announced last month. Waterford Crystal - an Irish glassware brand whose chandeliers hang in Windsor Castle and Westminster Abbey - also suffered dramatically.

For years, the city of Waterford, Ireland, produced some of the world's finest glassware. Brothers George and William Penrose were known for an "uncompromising" approach which helped establish a world-renowned brand for exclusive tableware. But since Mayit has faced a swathe of job cuts. Waterford Wedgwood announced the closure of its factory in Dungarvan in order to consolidate all operations into the main factory in Kilbarry, Waterford City, where 1, people were employed by the company.

Last year, further job cuts were announced bringing the staffing levels in the factory in Kilbarry to under The outlook has been equally bleak for Royal Doulton, a once proud British brand, in recent years.

Over the next hundred years it would become a world-class brand in quintessential British tableware, collectable figurines, crystal, glass and giftware. But perhaps it was a growing reflection of changing times that, in more recent years, it became remembered for a gag in the British sitcom Keeping Up Appearances.

Hyacinth Bucket made frequent references to her Royal Doulton china "with the hand-painted Periwinkles". Some items were made by at Wedgwood's factory but almost all other Doulton pieces were made in Indonesia. In Stoke-on-Trent, where Mr Wedgwood turned the family business into a global pottery enterprise, the founder's statue still welcomes visitors arriving by train.

Mr Wedgwood invented and produced what remain today three of Wedgwood's most famous ceramic bodies - Queen's WareBlack Basalt and finally Jasper Wedgwood bone china tableware graced the tables of many illustrious homes throughout the world, including the dinner service which President Theodore Roosevelt ordered for the White House. During the s, Wedgwood's success continued and in order to increase efficiency, the fifth Josiah Wedgwood decided to build a new factory near the village of Barlaston.

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It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. Our journalists will try to respond by joining the threads when they can to create a true meeting of independent Premium.By becoming familiar with the dozen or so main variations of the Wedgwood mark and by knowing when each was in use, a collector can determine an approximate period of production of an object.

A guide to trademarks is listed here and by careful study most collectors can acquire a reasonably sound knowledge.

Wedgwood Marks - a quick guide for Jasper and Basalt.

Determining the specific year of production of an item is somewhat more complicated, and this calls for close examination of a variety of other marks, such as three-letter date marks, registration marks, artists signatures or monograms and other devices. In addition to these, the style and method of production should be kept in mind as giving clues to dating. Dating Wedgwood can sometime be very difficult as apart from the Trademark there are also in some cases letters that accompany the marks to give a more accurate manufacture date and most old pieces have this second mark.

To better date a particular piece collectors will often also refer to this marking. If you are looking to find the value of Wedgwood pieces, we have expert appraisers on hand. Simply click on Ask an Appraiser box and you will be directed to an appraiser who can help. Dating Wedgwood. This is a very rare Wedgwood mark, used at the Bell Works to The circular stamp, without out the inner and outer rings, and with the word Etruria is doubtless the earliest form of the Wedgwood and Bentley stamp, This mark, with the word Etruria, was fixed in the corner, inside the plinth of old basalt vases.

This circular stamp, with an inner and outer line, was always placed around the screw of the basalt, granite and Etruscan vases, but is never found on Jasper vases, Rare Wedgwood and Bentley mark found only on chocolate and white seal intaglios, usually portraits made of two layers of clay with the edges polished for mounting, — Very rare Wedgwood and Sons mark used for a short period in Mark of Josiah Wedgwood II. Supposedly a new partnership or change in the firm.

It may be the date when the design was first registered, Sometimes 2 nd Feby appears instead of Feb 2 The mark upon Wedgwood bone china or porcelain, made toalways printed either in red, blue or in gold.

From to the present day this mark has been impressed in the clay on Queens Ware, or printed in colour. In recent times the words Etruria and Barlaston and the name of the pattern have in many cases been printed in addition to the trade mark. Fromornamental Jasper, Black Basalt, cane, terra cotta and Queens Ware are always marked with this stamp. The word England was added in These Wedgwood Etruria marks are rarely found on pieces of a very high character.

when was wedgwood venetia made

Adopted about but used for only a short period. This mark, used on Wedgwood bone china, was adopted in when the manufacture of bone china was revived. It is printed in various colors.

when was wedgwood venetia made

Mark used today on bone china, developed from mark of In the circled R was added to back stamps to indicate that the name Wedgwood is a registered trade mark. This mark, printed in color, is being used today on Queens Ware, starting in This mark is printed on oven-to-tableware ranges.Welcome to our photo-gallery of images taken at the Wedgwood factory in South East Asia. The works, just outside Jakarta, the capital of Indonesia, is the main global production site for ceramics under the Royal Doulton and Wedgwood brands.

How can they send your jobs to a Muslim country when they want to do away with all non-Muslims. It is wrong on so many levels. They are giving them the resources to help with that agenda by supplying them your jobs.

I love to buy things made in England because I know I am getting a quality item, that would be passed down to future generations. Not made in China dollar store junk.

The very fact that the products being produced in Indonesia are not back stamped with "Made in Indonesia" but rather "Wedgwood, England " is for sure a deliberate and concerted attempt to "pull the wool over the eyes" of prospective customers at the very least.

I believe that KPS is all about marketing the brand, and flogging as much crap Ratners style as possible to the ill informed consumer who will no doubt be left believing that they are selecting British fine bone china, produced in England, rather than something that is basically a "pretender" or "knock off" from some factory set up in Indonesia under the "Wedgwood" name.

I think KPS is a bit foolhardy in thinking that purchasers of premium branded products here in the US or elsewhere will not care about where the products are produced.

They may just end up destroying the "Wedgwood" name as a prestige marque once and for all, and complete the destruction process embarked upon by the previous owners. Chris, NY, USA While the quality of the products made in Indonesia or elswhere may be on a par with those previously produced in Stoke-on-Trent, when you ship away the production, the brand prestige, history and heritage dissapear enroute in the eyes of the customer. The truth is however that the vast majority of working-middle class consumers, are, for the most part, no longer prepared to pay a premium for tableware produced in England, when comparible quality products, being produced in Asia, are nowadays being sold for substantially lower prices.

Many of the Stoke-on-Trent producers however, Wedgwood among them, joined the bandwaggon of "marketing the brand" rather than more efficiently producing the products that earned them their global reputation over the years. This is OK as long as the consumer considers that brand to have retained it's value as a premium marque.

But also, ask any kiln or related equipment supplier where they were selling the majority of their new, more efficient manufacturing equipment during the past 20 years, and those that are left will be able to tell you that it wasn't to manufacturers in Stoke-on-Trent, who for years continued to operate with equipment that should have long retired.

Heck it was only a few years back that Wedgwood were still running a number of twin chamber tunnel kilns at Barlaston, which were built by Brown Boverie back in Yes these may have been great when they were built, but much more efficient equipment had long become available since. These were eventually been retired in the late 's, but with the lack of new, and significant investment over many years, when Wedgwood finally got a rude awakening and came to realise what was happening to them competition wise, any stides they then tried to make then were way too little, and way too late.

Wedgwood were traditionally manufacturers at heart, but with an arrogant and incompetant management group at the helm, that milked their business for as long a time as they could, what else would happend but eventual failure! The cash cow dried up, and the cow keeled over and died. I have no doubt that some high-end, perhaps niche artisan business will long continue under the Wedgwood name in some corner of Stoke-on-Trent into the future, but for the most part the real Wedgwood story is over, and something only to be read in history books.

Nancy What a joke the Wedgewood company still charges a fortune for products made in Asia where the wages they pay the workers are virtually nothing. English workers used to receive a decent salary making wedgewood. I would not spit on any Wedgewood product now, to me no matter how much the company charge the product is worthless, because the company now pays the workers virtually nothing, as if they were worthless too!

My family has been long time collectors and I had visited the old factory before moving to Wedgewood, as well as the WEdgewood visitor center and factory. There was a pride of ownership and individuality that was lost. The devastation to the surrounding area due to lack of demand for the artisans makes me want to cry.

I dislike the watering down of a profession that has been such an intricate part of England and the lives of the collectors. I agree with Sue Clarke totally. YY China crockery originated in China, but the English are quick to claim that the best products from Wedgwood et al. Might British people consider the possibility — no matter how remote it might seem to them — that Indonesian Wedgwood can be just as good as, or even superior, to those made in England?

Teresa I think its sad Britian is loosing so much of its manufacturing. I also was effected when the textile industy moved abroad, I'd only want to buy the Wedgwood made in the Stoke on Trent.

Sue Clarke ex Doulton Painter It just makes me so angry for the skilled people of Stoke on Trent to think that all their years of loyalty have been rewarded by the total destruction of there lively hoods, whoever employs a worker from the pottery industry can be sure they are getting a hardworking and loyal employee, I am so proud to have been born in Stoke-on Trent.

Ex Wedgwood I totally agree with ex potter, showing these pictures has made me so angry.We do not offer in-house packing, despatch and shipping. We recommend Mailbox: info mbetunbridgewells. Lots purchased online with the-saleroom. All buyers must arrange collection of their goods within 21 days of the relevant auction excluding furniture.

Furniture must be removed within 14 days of the relevant auction after which furniture items will be put into storage and storage charges may apply. Such persons shall have no claim against the auctioneers in respect of any injury sustained or any accident which may occur from any cause whatsoever, subject always to the provisions of the Unfair Contracts Terms Act All goods are sold with all faults and errors of description.

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Subject to satisfactory payment, all purchased items should be removed by the Friday immediately following the sale. All unsold items must be removed from the premises by the vendor by the 20 th of the month of the auction unless the auctioneer has agreed to re-entry of the items. After this time the items will be disposed of without further notice.

Please note that items with no reserve may be re-entered at the auctioneer's discretion. Under no circumstances can goods be cleared until cleared funds have been received in full. In completing the bidder registration on www. Please note that any lots purchased via the-saleroom. There was an error sending your enquiry, why not try again later. Cookies help us deliver our services.JavaScript seems to be disabled in your browser.

You must have JavaScript enabled in your browser to utilize the functionality of this website. Here are the answers to some of the questions we get asked most often about our products, website and services. Still can't find the answer you're looking for? Contact one of our customer care advisors here.

We'll be more than happy to help. Unfortunately, we are unable to give valuations for any purposes for products manufactured by ourselves. We suggest you contact your local antiques dealer to obtain a valuation. Due to our small team of Customer Care Advisors we don't always get the chance to search for products or patterns through back-catalogues or are unable to provide the information requested within required timeframes.

May we suggest you try the following sites for more information before contacting us:. Yes, of course. For over years Wedgwood Product Design and Development has taken place in the United Kingdom, guaranteeing English authenticity and values.

Today, Fiskars UK Ltd maintains exactly the same engineering excellence and proven quality control in all our owned facilities in which we produce product and continues to adhere to these world famous standards. Like many luxury brands, we work with the best partners across the world whose skills and quality standards equal our own.

To ensure that production from our manufacturing and sourcing resources mirrors all Stoke-on-Trent manufacturing activities, developments and precise tolerances for complete Customer satisfaction, Wedgwood staff from the United Kingdom transfer to or work with the teams to train, maintain and manage the production processes.

Depending on our product requirements, we will maintain production in both locations. Around the world, the vision of Wedgwood, based on the brand values of quality, craftsmanship and innovation, has not changed and continues to be absolutely English. This makes our china extremely hard and durable and cannot absorb fluids or food. The processing of the china results in a beautiful translucent white appearance,which is considered among the strongest types of porcelain in the industry.

Some stoneware owners notice grey marks or "scratches" on their dinnerware. This is not a defect. These marks can occur when metal utensils come into contact with the hard glazes typically used by most stoneware manufacturers. Stoneware glazes look and feel very smooth; however, the surface is composed of microscopic peaks and valleys.

When metal utensils, which are often softer than the glaze, contact the stoneware, tiny metal particles become caught in the microscopic valleys. Though some users characterise the grey marks as scratches, usually there is no damage to the glaze or the stoneware body. The metal deposits can be removed with a variety of cleansers such as Bar Keepers Friend. The combination of chemical action and a mild abrasive in the cleaner easily removes the metal particles from the glaze.

Our products differ and we use different metals for different items but the information should be shown on our product pages. Below we explain the differences in our collections. Sterling Silver Collection Made from solid sterling silver and hallmarked with the British sterling silver impress.

The jewellery is protected using the latest technology of anti tarnish treatments. Gold and Palladium Plate Collections The jewellery items are produced in brass, and plated in either 18ct gold or Palladium.

The 18ct gold plated items will be plated using a new advanced process, which makes the plating more durable and wear resistant. It also creates a greater shine. Palladium belongs to the Platinum group of metals and is silver white in colour.